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Tuesday, July 06, 2010

Jack Kerouac!

He has been called "the King of the beats." His books include "The Subterraneans," "The Dharma Bums," and his most famous work "On The Road." He laid out 30 essentials to his approach to writing which is sometimes called "spontaneous prose":

  1. Scribbled secret notebooks, and wild typewritten pages, for your own joy
  2. Submissive to everything, open, listening
  3. Try never get drunk outside your own house
  4. Be in love with your life
  5. Something that you feel will find its own form
  6. Be crazy dumbsaint of the mind
  7. Blow as deep as you want to blow
  8. Write what you want bottomless from bottom of the mind
  9. The unspeakable visions of the individual
  10. No time for poetry but exactly what is
  11. Visionary tics shivering in the chest
  12. In tranced fixation dreaming upon object before you
  13. Remove literary, grammatical and syntactical inhibition
  14. Like Proust be an old teahead of time
  15. Telling the true story of the world in interior monolog
  16. The jewel center of interest is the eye within the eye
  17. Write in recollection and amazement for yrself
  18. Work from pithy middle eye out, swimming in language sea
  19. Accept loss forever
  20. Believe in the holy contour of life
  21. Struggle to sketch the flow that already exists intact in mind
  22. Don't think of words when you stop but to see picture better
  23. Keep track of every day the date emblazoned in yr morning
  24. No fear or shame in the dignity of yr experience, language & knowledge
  25. Write for the world to read and see yr exact pictures of it
  26. Bookmovie is the movie in words, the visual American form
  27. In praise of Character in the Bleak inhuman Loneliness
  28. Composing wild, undisciplined, pure, coming in from under, crazier the better
  29. You're a Genius all the time
  30. Writer-Director of Earthly movies Sponsored & Angeled in Heaven

Sunday, July 04, 2010

15 Elements of Action-Adventure Scripts

Action-adventure scripts seem to always be in demand. They’re big business for Hollywood – making up the industries main tentpole films each year. Let’s look at some of the essential elements of the genre:
1. The “Big Idea” PremiseAction–adventure films are most often high-concept with a main storyline that involves the hero saving the world from destruction. More frequently action-adventure films have franchise/series potential.
2. The Hero is an “Average Guy” or “Larger than Life” CharacterThe Average Guy hero (John McClain in Die Hard, Neo in The Matrix) is an unwilling participant who gets himself into a predicament and is forced to take action. The “Larger than Life” hero (such as Batman) is already prepared to fight and save the day and doesn’t usually require any convincing to take action. Sometimes the Action-Adventure hero is an “anti-hero” character (such as Danny Ocean in Ocean’s 11.)
3. High StakesThe stakes for the hero are often extremely high: the destruction of earth by an asteroid (Armageddon), the death of innocent hostages held in a skyscraper (Die Hard), the annihilation of entire planets by a space-station super-weapon (Star Wars)
4. Plot-DrivenAction-adventure films are plot-driven. The events that make up the story’s plot consist of the hero’s efforts to thwart the villain’s plan.
5. Present a “Good vs. Evil” Theme
The theme of action-adventure stories is basically “good vs. evil”. This theme is often narrowed and personalized based on the hero’s emotional stakes (for instance, Lethal Weapon’s narrowed theme focuses on the importance of family.) The hero almost always reflects and upholds the current morals of society.
6. A Title that Reflects The Action and Content of the StoryA vibrant title that evokes the action, adventure, and premise of the story is a key component to the genre. (Iron Man, Terminator, Lethal Weapon, Braveheart, Die Hard, Armageddon)
7. The Villain Has a Masterful PlanThe villain’s plan provides the catalyst for the hero’s adventure. The villain’s plan sets up the hero’s goal (which is to stop the villain’s plan.)
8. The Villain Is More Powerful than the HeroCreating a villain that is more powerful than the hero forces the protagonist to transform. In action-adventure films where the protagonist is a “Larger than Life” character, the hero often has a weakness the villain can exploit (such as kryptonite against Superman.)
9. The Hero and The Villain Do Battle to the “Death”Though the obligatory scene (the final battle between the protagonist and the antagonist) does not always involve the literal “death” of the villain, the hero always triumphs in some way – even if the hero dies in the battle.
10. Contain Plenty of Action SequencesThe core of an action-adventure film is of course, action: violence, car chases, gun battles, fistfights, explosions, martial arts, and foot pursuits. The average action-adventure film contains nine action sequences that put the hero in physical jeopardy.
11. Big Set Piece(s)A set piece is a memorable scene that stands alone. In an action-adventure film the big set piece (or set pieces) is an organic extension of the action sequences, such as the train wreck in The Fugitive, the plane crash landing on the Vegas Strip in Con Air, and the famous car chase in the film Bullitt.
12. Snappy DialogueMost action-adventure films contain snappy dialogue, especially in stories where the hero has a buddy or ally or mentor to spar with. Another common dialogue element is the hero’s payback line delivered to the bad guy. (“Do you feel lucky? Well, do you punk?”)
13. A Ticking Clock ScenarioMany action-adventure films use a ticking-clock scenario, which creates urgency, heightens tension and increases suspense. Examples include the ticking bomb in Die Hard, the amount of time available to pull off the heist in Ocean’s 11, the countdown to the asteroid striking Earth inArmageddon, and the deadline for getting a prisoner on a train in 3:10 to Yuma
14. Incorporates Mythical Story StructureCampbell’s hero’s journey is often, though not always, used as the foundation for action-adventure films. Star WarsThe Matrix, and Lord of the Rings are a few examples to study.
15. Vertical, Active WritingVertical writing creates an immediate, active experience for the reader. Action expressed in few words moves faster. The action-adventure writer leaves plenty of white-space on the page by breaking long sentences or important moments of action into short phrases and presenting them as separate lines of description (instead of paragraphs.) Action scripts use tight writing full of sound elements (BOOM, CRASH, BANG) and active verbs – and avoid adjectives, which stall action.
YOUR TURN: What additional elements are essential to the action-adventure genre?
STAY-TUNED: In the next post we will examine two classic action-adventure scenes.

Saturday, July 03, 2010

Hearts of Darkness: A Filmmaker's Apocalypse

A film which virtually tested the limits of sanity and mortality of one Mr.Francis Coppola. Hearts of Darkness is a fascinating documentary on the making of Apocalypse Now and a revealing character study of the movie director.

A must watch for anyone who didn't know, that some of the bravest, insanest minds and hearts on the planet are maverick movie directors who go after something so intangible...

Isn't this the ultimate dream and purpose of every filmmaker. Chasing the Intangible.

and finding it...

I've had my mini Apocalypse experience. I think it changed me. But am waiting for more. No filmmakers life or career is complete without an experience like the Apocalypse.